Kwon, Kevin Painted Passage and Heritage. 2017. Radford University, Thesis. Radford University Scholars' Repository.
PDF
Available under License Creative Commons Attribution No Derivatives. Download (3MB) |
Abstract
Korean folk art and traditions have been accented with bright vibrant colors that have created a mold for Korean culture. My work has been influenced aesthetically by both Korean folk art and my exposure to Western oil painting technique. The passage of a metaphorical journey from darkness to light is shown through the use of my colors. Each brush stroke created is coated with a vivid color. It is an external projection of how internally I am trying to find a piece of childhood memories from South Korea. Each contour line and form is the action of rewriting what I think is my memory, but recreated into a form that is living in the present day. There is a conflict, yet it does not feel vengeful, but more playful and euphoric. This painted contour represents the imaginary passages that create my ever-changing identity of being a Korean in America, a place where I have yet to adapt. If I could profess one attraction that is deeply engrained in me, it is my love of color.
Item Type: | Thesis |
---|---|
Subjects: | N Fine Arts > ND Painting |
Divisions: | Radford University > College of Visual and Performing Arts > Department of Art |
Date Deposited: | 18 Sep 2017 18:52 |
Last Modified: | 20 Apr 2023 18:16 |
URI: | http://wagner.radford.edu/id/eprint/343 |
Administrative Actions
View Item |